The First of them : while exploring those ruins they discovered the sacred art of erecting temples, which, according to the Bible, God Himself would have dictated to the wise Solomon.
The Second one: while staying all that time in Palestine, they were acquainted with a great variety of cultures and religions that lived in that space, where different civilizations crossed each other.
The members of the high hierarchy of Solomon's Temple, (who, at the beginning were strict fundamentalist catholics, devoted to be the armed force of the Pope of Rome), had the possibility to recycle all the best and wisest that there was in every religion that surrounded them, and then make a synthesis of what was the essential and important in all of them, beyond the systems and the politics.
All that changed the religious conceptions of the templar leaders completely. However, they had to conceal it, so that they wouldn't seem to be heretical.
The news went that, with the First Acquaintance and with the wealth amassed by the Order, the returned Templars promoted the construction of the Gothic Cathedrals. Europe was filled with them in just another 60 years.
As a sacred technology, Gothic, when compared to the Romanesque style, (which had just preceded it), was not the same as moving from a Ford car, a T model from the beginning of the XXth Century, to a Toyot from the beginning of the XXIst century model. In fact, it was the same as moving from a T model to a spaceship
In order to achieve that huge evolution, the height of the Middle Ages, the Knights promoted a Brotherhood of Cathedral Builders, which was organised in guilds, in which the secrets of the craft were passed on to the most deserving and reliable disciples alone, in chambers of ascending hierarchical degrees.
http://www.catedralesgoticas.es/eni_templarios.php
It was this way that the Templars, who were already an Initiatic Order, created another one for their Stonemason Fellows which, in the course of time, would come to be corrupted, giving rise to the Freemasonry, the higher degrees of which, at the beginning wouldn't seek anything else but the revenge against the Monarchy, the Papacy and the traditional religion, ( those who had been the responsible for the destruction of the Templar Order). Thereafter they've sought after the world economical, cultural and political conquest, building secret structures of globalist power.
http://www.catedralesgoticas.es/eni_canteros.php
With the second Acquaintance, as their mentalities were being expanded, the high degree Knights were forced to be more and more careful and initiatic, once their leader was still the same jealous and very reactionary Papacy.
But that was not the only reason for their secrecy. When they returned to Europe, they also rediscovered what was essential in the ancestral culture of their own ancestors, including in the culture which had been previous to the roman and greek ones. They came to undestand the meaning of many rituals and places of power in the past, not only the celtic one but also a much more ancient one, from which the peasants' traditions of their time still kept a lot of memory.
And, of course, they discovered the meaning of the pre-christian Way of the Stars ...and became their guardians, under a completely christian facade. However, in the veiled reality, they practised the syncretism, especially when the hierarchy of their members was quite above the basic degrees of the Order.
In the Santa Maria de Noia cemetery, two hundred stone gravestones have been found which have never been used to bury anyone. They are all marked by the signs of some of the famous fraternities of medieval crafts. The esoteric traditions have it that, before receiving the highest degrees - degree 33 became the degree of Templar Knight- the crafts masters had to walk the Way of the Stars as far as the beaches of the End of the World, just like both men and women had done beforehand, those who had been knowlegde seekers of the ancient european tribes.
It is worth mentioning that Galicia is a huge and very ancient block of the most compact granite in the world. Therefore, it was the best school for a master mason.
Esoteric traditions have it also that Noia has been founded by Noela, Noé's daughter, mother of the first civilisation that arose after the deluge that had killed the old corrupt cycle of Humanity under its waters, and then gave birth to a new cycle with those who had survived.
It has also been transmitted as a legend that the initiate builders used to get to the templar church of Santa Maria de Noia where they were welcomed by the Fraternity.
Each one of them would chisell a gravestone for himself upon galician granite, however he wouldn´t carve his name upon it, he would rather carve the sign of his guild, because that was intented to be a ritual for the death of the ego. The initiate would lay himself inside of a sarcophagus, the fraters would cover him with the gravestone that he had previously carved. He would spend the whole night inside of it, meditating, visualising in his mind the film of the most intense moments of his Life, with capital letter.
The day after, the fraters would clear the gravestone away, the initiate fellow would walk as far as the beach and he would draw the labyrinthic way of his life septenaries upon the sand , or he might chisell it upon a rock instead.
After having lucidly recycled his Life Elevated Moments and after having thanked, honoured and forgiven the rest of the actors that had kept him company in the specific scenery of his apprenticeship, he would be able to realise what kind of vibration had repeated itself most in his high leaps of consciousness - this fact would make it easier for him to eventually define his personal synthesis-vibration.
For those septenaries that still remained for him to live on the trail of his life Labyrinth, it was clear to the initiate that there was one only thing that he would be concerned about. He would only aspire to continue to experience moments that contained his dominant personal synthesis-vibration, and he would no longer waste the precious time of his incarnation with projects deprived of it and, therefore, alien to him.
All the previously referred facts are sheer traditions, symbols, myths, legends, supposed statements or revelations which are impossible to be proved, as it happens with religions. And there are plenty of scholars who refute the templars myth and the fact that they were cathedral promoters, which makes it, at least, debatable.
Critical sense is an intelligent person's greatest talent, whenever it brings one to some constructive idea, and does not paralyse him by scepticism. One cannot be coming back from anything without having first departed in search of some possibility.
The most pleasing moments of this journey happen while chatting and tasting some wine with the more talkative old galicians. Since they were children, before the Digital Era, Galicians used to be nourished with very ancient myths and legends that, in fact, look like History.
They enjoy them and take them into account, however , with a sound scepticism, which allows us an open possibility of searching .
"...I don't believe in those things - they usually say with a somewhat ironical smile, as a kind of apology - However, their existence is kind of a fact".
Both legends and myths account for good stories but, what matters is the essence of their subject.
And the subject that matters in this pilgrimage is the meeting of the pilgrim with the very essence of his own inner being, in order to initiate a new cycle starting from it.
The meditative journey is an excellent preparation, the rest is the product of a profound reflection. Performing a scheme of one's own way is extremely good in order to recycle the most striking experiences and to try to find their common synthesis-vibration.
However, nowadays, with the Ways and shelters crowded with mere tourists, the ancient rituals (like setting fire to the pilgrim's old clothes, or sketching personalised drawings all over the sands or, even worse, carving labyrinths upon the rocks like the ancestors used to), may put an end to the natural beauty of the Death and Rebirth Coast.
Therefore, THE FIRST THING THAT WE ADVISE YOU HERE is to do your recycling and synthesis upon the labyrinth drawings inside this book. Only here, and nowhere else. THE GOOD ON-FOOT TRAVELLER NEVER LEAVES HIS EGO`S CONTAMINANT REMAINS BEHIND HIM.
THE SECOND THING THAT WE ADVISE YOU TO DO, IS NOT TO SHOW YOUR PERSONALISED LABYRINTHS TO ANYONE, NOT EVEN TO YOUR BELOVED ONES, AND NEVER TO LET THEM KNOW WHAT IS YOUR DISCOVERED SYNTHESIS-VIBRATION.
Keep those intimate data for yourself, as a vital secret, and use all that you have learnt without talking about what you know now. (After the Galician fashion).
So you will avoid other people's interferences in your destiny, which has been so conscientiously chosen.
https://books.google.com.br/books?id=4vU1Go6oLBMC&pg=PA50&lpg=PA50&dq=LOS+TEMPLARIOS+Y+LAS+CATEDRALES+G%C3%93TICAS&source=bl&ots=Bx7ozzJM8P&sig=ACfU3U0oFiGha-CFL1yARTvOuWHksZ_Nvg&hl=pt-BR&sa=X&ved=2ahUKEwi9qvKFiN_kAhUqIbkGHeQVAS4Q6AEwEHoECAgQAQ#v=onepage&q=LOS%20TEMPLARIOS%20Y%20LAS%20CATEDRALES%20G%C3%93TICAS&f=false
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SOBRE O LABIRINTO:
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SOBRE O LABIRINTO:
A Estação 104 é a mesma Estação 0, porque cada ciclo completo termina no mesmo lugar onde começou: OUROBOROS, a serpente que morde a sua própria cauda.
Cada número também representa o correspondente a esse preciso ano da sua encarnação física.
Inclusive, estão nele representados os anos que lhe são prévios. De 0 a 06, os anos da sua preparação formam parte da sua historia pessoal, porque você é só a ponta externa do iceberg da
Nobody is separated from either greater or minor entities in this Cosmos where All is one. We are like Russian dolls, the largest one having all the others inside.
The spirits of your lineage are living, as being peculiar of their own group, that amplification of the collective subconscious' mentality , which you are calling "your personal evolution".
The spirits of your lineage are living, as being peculiar of their own group, that amplification of the collective subconscious' mentality , which you are calling "your personal evolution".
The Labyrinth is divided in septenaries, each one represented by a different frequency and colour.
RECYCLING IS PERFORMED ON EACH OF THE SEVEN-YEAR CYCLES OF YOUR LIFE IN THE PRESENT BODY. ACTUALLY, YOUR LAST PHYSICAL CYCLE BEGINS AT 92, BUT IT DOESN'T END AT 98, IT ENDS WHEN LIFE ENDS IN YOUR BODY.
IT DOESN'T MATTER WHETHER OR NOT YOU WILL ACHIEVE THE 110 PHYSICAL YEARS, OR EVEN IF YOU WILL LIVE LONGER THAN 110 YEARS.
The last septenary, between Stages 99 and 103 is, in fact, out of the physical time. Those cards only describe THE SEIÇÃO or SEIDADE (take the invented word for what it's worth, which means THE STATE OF BEING THE BEING), the DASEIN by Heidegger, the ICHINEN from the Japanese Zen, the Chinese TAO, one's consciousness when it identifies and intensely fuses with the energy that gives manifestation and life to the Cosmos, from the Original Dark Shadow, the Coronation and Realisation of the pilgrim, no matter whether you still keep your corporeal vehicle or not. The only thing that matters is that your consciousness stops being conditioned and veiled by emotional or mental illusions.
Prisoner of desire, you can see only appearances.
However, both mystery and appearances spring from the same source.
That source is called Darkness.
Darkness within darkness.
The gateway to all understanding.
(Tao-Te-Ching)
(.
..........................................................................
(Tao, or THE WAY, in China, is the intuitive life knowledge, which cannot be perceived as a rational concept, but that can be discerned through the experience of real daily life)
You have noticed that there are two stations missing in the septenary. This is so because they are related to two states of the Being that are completely out of our present human imagination and understanding.
- THE "MANIFESTING SOURCE" STATE
and
-THE " UNMANIFESTED " STATE OF THE BEING
You have noticed that there are two stations missing in the septenary. This is so because they are related to two states of the Being that are completely out of our present human imagination and understanding.
- THE "MANIFESTING SOURCE" STATE
and
-THE " UNMANIFESTED " STATE OF THE BEING
110 STATIONS, 16 SEPTENARIES, one of them being preliminary, a Preparation one; another one, the last one, an out-of-time " Seição" cycle, . THEY SIGNIFY THE CULMINATION OF A NATURAL CYCLE.
IF YOU ARE ABLE TO SURPASS THEM, either in the physical body which you have been born with, or through a cyborg technique, or one produced by means of a trans-humanist genetic, then you must assume that your consciousness has left the previous cycle behind and that it is already flowing in a new cycle.
Every CO-CREATIVE inspiration starts from previously known data and, for the author, these have been the labyrinthic petroglyphs found upon his natal Rías Galegas, quite particularly the Mogor Labyrinth at Pontevedra Ría. EM FORMA DE OITO ESPIRAL EM TORÇÃO SURGIU DE UMA INSPIRAÇÃO INTERIOR, E NÃO DE UM ESTRITO, CALCULADO E RIGOROSO DESENVOLVIMENTO LÓGICO.
Somehow, inspiration (resulting from a shamanic experience in the Brazilian Amazon Rainforest) has developed that Labyrinth in TWO ENTWINED CYCLES and has created the eightfold shaped labyrinth that immediately made the author think of the structures in the shape of a threedimensional screw,, upon which, spinning, are developed the streams of the DEOXXYRIBONUCLEIC ACID, THE FAMOUS DNA THAT CONTAINS OUR GENETIC DATA.
This can make clear why the information upon the front cover of each Labyrinth card matches with the information of the back of the same card, which bears the following number, and that you must read both because they are complementary-opposite archetypical concepts, or then, one concept being the consequence of the other.
NOTICE THAT, just like in the Tarot (another preceding data upon which the artist's inspiration has played in a free way, neither wanting to create a Classical Tarot, nor following its rules), in these cards there are Arcana or Major or Minor Stations.
All the Minor Stations correspond to the Geographic Stages of the Portuguese Saint James' Way, in two cycles or volutes of eight, before and after crossing the Minho River, that makes the borderline between Portugal and the spanish Galicia.
TURN BACK TO STAGES IN PORTUGAL
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